國(guó)家工信部網(wǎng)站備案實(shí)名:湖北自考網(wǎng) 為考生提供湖北自考信息服務(wù),僅供學(xué)習(xí)交流使用,官方信息以湖北教育考試院為準(zhǔn)。
湖北自考在線 湖北學(xué)位英語(yǔ)培訓(xùn)班 湖北成人高考報(bào)名 湖北自考視頻免費(fèi)領(lǐng)取

2016年湖北自考英語(yǔ)閱讀翻譯資料(7)

湖北自考網(wǎng) 來(lái)源: 時(shí)間:2016-04-06 09:49:31

The New Music

The new music was built out of materials already in existence: blues, rock'n'roll, folk music. But although the forms remained, something completely new and original was made out of these older elements - more original, perhaps, than even the new musicians themselves yet realize. The transformation took place in 1966-1967. Up to that time, the blues had been an essentially black medium. 

Rock'n'roll, a blues derivative, was rhythmic dance music. Folk music, old and modern, was popular among college students. The three forms remained musically and culturally distinct, and even as late as 1965, none of them were expressing any radically new states of consciousness. 

Blues expressed black soul; rock was the beat of youthful energy; and folk music expressed anti-war sentiments as well as love and hope.

In 1966-1967 there was spontaneous transformation. In the United States, it originated with youthful rock groups playing in San Francisco. In England, it was led by the Beatles, who were already established as an extremely fine and highly individual rock group. 

What happened, as well as it can be put into words, was this. First, the separate musical traditions were brought together. Bob Dylan and the Jefferson Airplane played folk rock, folk ideas with a rock beat. 

White rock groups began experimenting with the blues. Of course, white musicians had always played the blues, but essentially as imitators of the Negro style; now it began to be the white bands' own music. And all of the groups moved towards a broader eclecticism and synthesis. 

They freely took over elements from jazz, from American country music, and as time went on from even more diverse sources. What developed was a music readily taking on various forms and capable of an almost limitless range of expression.

The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers. The electric guitar was an old instrument, but the new electronic effects were altogether different - so different that a new listener in 1967 might well feel that there had never been may sounds like that in the world before. Electronics did, in fact, make possible sounds that no instrument up to that time could produce. And in studio recordings, new techniques made possible effects that not even an electronic band could produce live. 

Electronic amplifiers also made possible a fantastic increase in volume, the music becoming as loud and penetrating as the human ear could stand, and thereby achieving a "total" effect, so that instead of an audience of passive listeners, there were now audiences of total participants, feeling the music in all of their senses and all of bones.

Third, the music becomes a multi-media experience; a port of a total environment. The walls of the ballrooms were covered with changing patterns of light, the beginning of the new art of the light show. And the audience did not sit, it danced. With records at home, listeners imitated these lighting effects as best they could, and heightened the whole experience by using drugs. Often music was played out of doors, where nature provided the environment.

新音樂(lè)


新音樂(lè)的素材來(lái)源于布魯斯、搖滾和民間音樂(lè),雖然保存了它們的形式,但從這些較早的音樂(lè)中卻產(chǎn)生了一些全新而富有創(chuàng)意的東西--也許比新的音樂(lè)家所意識(shí)到的還有創(chuàng)意。這種變化發(fā)生于1966-1967年間,這之前布魯斯一直是黑人音樂(lè)的基本表現(xiàn)形式。

搖滾衍生于布魯斯,是一種很有節(jié)奏的舞蹈音樂(lè)。而民間音樂(lè),不論古老的還是現(xiàn)代的,都很受大學(xué)生們的喜愛(ài)。這三種形式一直保留著音樂(lè)和文化上和特色,甚至到了1965年,他們中也沒(méi)有一種形式表達(dá)一些全新的意識(shí)形態(tài)。

布魯斯表達(dá)黑人的情感;搖滾是青春活力的跳動(dòng);而民間音樂(lè)表現(xiàn)愛(ài)、希望以及反戰(zhàn)情緒。

1966-1967年這些音樂(lè)形勢(shì)自然而然地發(fā)生了變化。這一變化在美國(guó)起始于舊金山演出的青年搖滾樂(lè)隊(duì),在英國(guó)則由甲殼蟲(chóng)樂(lè)隊(duì)領(lǐng)先,他們當(dāng)時(shí)已經(jīng)成立了非常不錯(cuò)、極有個(gè)性的搖滾組合。當(dāng)時(shí)所發(fā)生的一切盡可能訴諸文字如下。

首先那些獨(dú)立的音樂(lè)傳統(tǒng)融合起來(lái)。鮑勃迪倫和杰菲遜飛機(jī)樂(lè)隊(duì)演奏的民間搖滾將民歌的歌詞配上了搖滾節(jié)奏。白人搖滾樂(lè)隊(duì)也開(kāi)始嘗試布魯斯。其實(shí)白人音樂(lè)家一直都在嚴(yán)奏布魯斯,不過(guò)基本是模仿黑人的風(fēng)范的折衷與融合。他們隨意的從爵士樂(lè)、鄉(xiāng)村音樂(lè)中吸取養(yǎng)分,隨著時(shí)間的推移甚至從更多來(lái)源中各取所需,很快一種形式各異的極具有表現(xiàn)力的音樂(lè)形成了。

其次所有的音樂(lè)組合都開(kāi)始使用全套電子樂(lè)器和電子擴(kuò)間技術(shù)。吉他是舊式樂(lè)器,但是新的電子效果卻完全不同,在1967年第一次聽(tīng)到它的人恐怕會(huì)感覺(jué)到以前世界上從來(lái)沒(méi)有像這樣的音響。電子技術(shù)確實(shí)制造出了此前樂(lè)器無(wú)法發(fā)出的各種聲響。在錄音室錄音,新的技術(shù)能做出連電子樂(lè)隊(duì)現(xiàn)場(chǎng)都演奏不出的效果。電子放大器也可以使音量大到極至,音樂(lè)顯得洪亮而有穿透力,震耳欲聾,因而達(dá)到一種徹底的效果,使得聽(tīng)眾不再是被動(dòng)的接受者,而是完全地投入,用整個(gè)身心去感受音樂(lè)。

第三,音樂(lè)成為一種多媒體的感受、整個(gè)環(huán)境中的一部分。舞廳的墻上閃爍著變幻莫測(cè)的燈光。這是新的燈光藝術(shù)的開(kāi)始。觀眾不是正襟危坐,而是跳動(dòng)不已。家中有唱片的人會(huì)模仿那些燈光效果,并使用實(shí)物來(lái)加強(qiáng)整體的感覺(jué)。音樂(lè)還往往以大自然為背景室外演奏。

結(jié)束
本文標(biāo)簽
特別聲明:1.凡本網(wǎng)注明稿件來(lái)源為“湖北自考網(wǎng)”的,轉(zhuǎn)載必須注明“稿件來(lái)源:湖北自考網(wǎng)(m.heywebguys.com)”,違者將依法追究責(zé)任;
2.部分稿件來(lái)源于網(wǎng)絡(luò),如有不實(shí)或侵權(quán),請(qǐng)聯(lián)系我們溝通解決。最新官方信息請(qǐng)以湖北省教育考試院及各教育官網(wǎng)為準(zhǔn)!
限時(shí),免費(fèi)獲取學(xué)歷提升方案

已幫助10w萬(wàn)+意向?qū)W歷提升用戶成功上岸

  • 毛澤東思想概論

    毛澤東思想概論

    培訓(xùn)優(yōu)勢(shì):課時(shí)考點(diǎn)精講+刷題+沖刺,熟練應(yīng)對(duì)考試題型。全程督促學(xué)習(xí),安排好學(xué)習(xí)計(jì)劃。 毛澤東思想概論...自考培訓(xùn)
  • 英語(yǔ)二

    英語(yǔ)二

    本課程既是一門(mén)語(yǔ)言實(shí)踐課程,也是拓寬知識(shí)、了解世界文化的重要素質(zhì)課程,它以培養(yǎng)學(xué)習(xí)者的綜合語(yǔ)言應(yīng)用能力為目標(biāo),使他們?cè)趯W(xué)習(xí)、工作和社會(huì)交往中能夠使用英語(yǔ)進(jìn)行有效的交流。 英語(yǔ)二...自考培訓(xùn)
  • 馬克思主義基本原理概論

    馬克思主義基本原理概論

    本書(shū)包括兩個(gè)部分:自學(xué)考試大綱和基本原理。主要內(nèi)容有,馬克思主義是關(guān)于工人階級(jí)和人類解放的科學(xué),物質(zhì)世界及其發(fā)展規(guī)律,認(rèn)識(shí)的本質(zhì)及其規(guī)律,人類社會(huì)及其發(fā)展規(guī)律,資本主義的形成及其發(fā)展,資本主義發(fā)展的歷史進(jìn)程,社會(huì)主義社會(huì)及其進(jìn)程,共產(chǎn)主義社會(huì)及其進(jìn)程等。 馬克思主義基本原理概論...自考培訓(xùn)
  • 思想道德修養(yǎng)與法律基礎(chǔ)

    思想道德修養(yǎng)與法律基礎(chǔ)

    《思想道德修養(yǎng)與法律基礎(chǔ)》課具有鮮明的政治性、思想性、理論性、針對(duì)性、科學(xué)性、知識(shí)性以及實(shí)踐性和修養(yǎng)性。它包羅政治、思想、道德、心理本質(zhì)、學(xué)習(xí)成才和法律本質(zhì)等內(nèi)容,指導(dǎo)和回答大學(xué)生在人生、抱負(fù)、信念等方面遍及關(guān)心和迫切需要解決的問(wèn)題。 思想道德修養(yǎng)與法律基礎(chǔ)...自考培訓(xùn)
  • 中國(guó)近代史綱要

    中國(guó)近代史綱要

    “中國(guó)近現(xiàn)代史綱要”全國(guó)高等教育自學(xué)考試指定教材,依據(jù)中央審定的普通高等學(xué)?!爸袊?guó)近現(xiàn)代史綱要”編寫(xiě)大綱以及馬克思主義理論研究和建設(shè)工程重點(diǎn)教材《中國(guó)近現(xiàn)代史綱要》,結(jié)合自學(xué)考試的特點(diǎn)設(shè)計(jì)了十章,集中講述1840年鴉片戰(zhàn)爭(zhēng)爆發(fā)一直到2007年中國(guó)共產(chǎn)黨第十七次全國(guó)代表大會(huì)召開(kāi)的160多年的中國(guó)近現(xiàn)代歷史。 中國(guó)近代史綱要...自考培訓(xùn)
微信公眾號(hào) 考試交流群
湖北自考網(wǎng)微信公眾號(hào)

掃一掃關(guān)注微信公眾號(hào)

隨時(shí)獲取湖北省自考政策、通知、公告以及各類學(xué)習(xí)資料、學(xué)習(xí)方法、課程。